alabdy
07-19-2022, 04:08 AM
Today on “The Daily,” we present Episode 3 of “1619,” a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at nytimes.com/1619podcast (https://www.nytimes.com/2019/09/06/podcasts/1619-black-american-music-appropriation.html).
Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America. Guest: Wesley Morris, a critic-at-large for The New York Times.
This episode contains explicit language.
Background reading:
“The proliferation of black music across the planet — the proliferation, in so many senses, of being black — constitutes a magnificent joke on American racism,” Wesley Morris writes (https://www.nytimes.com/interactive/2019/08/14/magazine/music-black-culture-appropriation.html).
The “1619” audio series is part of The 1619 Project, a major initiative from The Times observing the 400th anniversary of the beginning of American slavery. Read more from the project here (https://www.nytimes.com/interactive/2019/08/14/magazine/1619-america-slavery.html).
أكثر... (https://www.nytimes.com/the-daily)
Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America. Guest: Wesley Morris, a critic-at-large for The New York Times.
This episode contains explicit language.
Background reading:
“The proliferation of black music across the planet — the proliferation, in so many senses, of being black — constitutes a magnificent joke on American racism,” Wesley Morris writes (https://www.nytimes.com/interactive/2019/08/14/magazine/music-black-culture-appropriation.html).
The “1619” audio series is part of The 1619 Project, a major initiative from The Times observing the 400th anniversary of the beginning of American slavery. Read more from the project here (https://www.nytimes.com/interactive/2019/08/14/magazine/1619-america-slavery.html).
أكثر... (https://www.nytimes.com/the-daily)